Chapter I — Atelier

They were never just pets They were always family

A small atelier in Belgrade, working slowly. Hand-cut, assembled by hand and machine, then meticulously finished. In editions limited by what the materials allow.

Discover the Editions

Manifesto

A small atelier in Belgrade

Everything that leaves our atelier is cut by hand and meticulously crafted
in Belgrade using both traditional handwork and carefully selected
machinery. We produce in small batches — most often three or five pieces,
sometimes just one. No mass production. No excess.
Simply the work of skilled hands.

The Principle of Zero Scratch

One rule guides everything we do — the Principle of Zero Scratch.
Every element that touches the skin is crafted from natural materials,
featuring Italian and Indian silk linings and meticulously finished,
nearly invisible seams. We have eliminated anything that could cause
irritation: no rigid labels, no plastic clasps, and no nylon webbing.
Our companions may wear our designs for hours or even days at a time,
which is why comfort is never an afterthought —
it is the foundation of everything we create.

Designed not for a season, but
for a lifetime of companionship.

Three Pillars

I

Hand-cut
Hand-finished

Every design begins as a pattern drawn by hand on cardboard. Each piece is cut with scissors — never by machine. Construction is guided entirely by the artisan, with silk linings and carefully finished, nearly invisible seams. Before leaving the atelier, every creation passes through three pairs of hands to ensure the highest level of precision.
II

Editions Defined
by Materials

Our process begins with the material. A bolt of Italian wool arrives in a finite length; a box of crystals contains a finite number of stones. From these materials, the size of an edition is determined — sometimes a single piece, occasionally twenty, but most often three or five. We do not decide the quantity; the material does. Once the supply is exhausted, that edition is permanently archived.
III

Materials
from Archive and Beyond

We work exclusively with exceptional textiles, including Italian and British wool, cashmere, and Indian and Italian silk. Our collections also feature linen, cotton, and handwoven silk-linen fabrics sourced from traditional Indian looms. We prioritize deadstock and remnant rolls — exceptional materials originally produced for some of the world's most respected fashion houses and later reimagined through thoughtful craftsmanship. For our hardware, we select 316L surgical steel, sterling silver, brass, or 18k and 24k PVD gold plating, depending on the needs of each design.

On the atelier table — now

Currently in the Atelier

The atelier table currently holds creations at various stages of completion — some awaiting their final cut, others their last stitch. The materials decide the size of every edition.

From the Atelier

We do not believe in collections. We create singular designs in editions dictated entirely by the available materials. Once an edition concludes, the design belongs only to the family who chose it.

The Atelier · Belgrade · MMXXVI

Architecture of Materials

An Archive
of the Chosen

A small catalogue of the fabrics, metals, and finishes the atelier uses. Where they come from, why they were chosen, and what they carry. Most are deadstock — materials from the archives of European houses that are no longer produced in the same way.

01 — Knitwear
Italian Cashmere, 12-gauge

Combed from the under-fleece of Inner Mongolian goats, spun in Biella. Holds its shape against the body without ever feeling architectural.
02 — Hardware
Surgical Steel · PVD Gold Plated

Inert against skin, indifferent to water and time. Plated by a PVD process — never lacquered, never painted. Designed for life, not seasons.
03 — Outerwear
Scottish Blackwatch Flannel

Brushed from worsted wool by the same family loom since 1903. The pattern is older than most countries; the warmth is older than fashion.

We do not produce collections. We make pieces — in editions limited by what the materials allow. Once an edition closes, the design belongs to the family that chose it.

The Atelier · Belgrade · MMXXVI

The Journal

Notes from the atelier
— on materials, on process, and on the pieces that have left the workroom
to find their place in the world.

Vol. I · From the Atelier

Attention

There is a tradition often forgotten — that the animals who share our lives are part of the family, not an ornament to it. CosmoPaw was founded out of a desire to restore something that had been lost: not eccentricity, not performance — attention.

Read the Journal

Process

The Intention
Behind Every Creation

Explore the current offerings from the atelier. Every creation is produced in small editions, determined by the materials from which it is made.